Publications
Review: “Exquisite Hauntings” (2020)
The text reviews the Gladstone Hotel’s annual Come Up To My Room exhibition of January 2019, curated by Megan Feheley and Astrid Ho. It is published in Volume 16 of The Senses and Society.
Review: “Geoffrey Pugen’s Apocalyptic Utopia” (2020)
This text examines Geoffrey Pugen’s 2020 solo show at Toronto commercial gallery MKG127. It is published in the Spring 2020 edition of PUBLIC.
Essay: "The Portrait That Looks Back: Exploring the Queer Expanded Presence of Collage in the Portraiture of Paul Mpagi Sepuya and Mickalene Thomas" (2019)
This article explores collage as both an impulse and ideology that brings different mediums, ideas, and desires into adjacent conversation. It is published in the Spring 2020 edition of RENDER.
Essay: “Navigating Reconciliation and Retribution in the Work of Laakkuluk Williamson-Bathory” (2017)
This text examines three works by Inuk artist Laakkuluk Williamson-Bathory and collaborators in the context of the Canada Council Arts and Reconciliation program. The article was published to the Western University Journal of English & Cultural Studies. Download the essay here: https://ir.lib.uwo.ca/huronindigenous/2/
Review: Poems for Impending Doom (2020)
This text reviews the online exhibition Poems for Impending Doom, curated by Lucy Pauker and Alessia Olivia at The Centre for Art Tapes. It is published in the Journal of Curatorial Studies, volume 9, no. 2.
Review: Cyber Sanctuaries (2020)
This text reviews the online exhibition Cyber Sanctuaries, curated by Specter (Agnes Momirski and Georgia Kareola) for The Wrong Biennale. It is published in Public 60, Fall Issue.